What’s Tate McRae’s Dominant Astrological Sign?

Mercury is the first dominant in Tate McRae’s astral chart. In the following paragraph, we shall indicate the significance of this fact:

According to Greek myth, Mercury (or Hermes, whose name derives etymologically from the piles of rocks which marked trails and guided travelers) was the messenger of the gods. He carried orders from Olympus to the mortals on Earth. The child of the illegitimate union of Zeus with Maia, Mercury was born “unknown to the immortal gods” and had to win his place among them by trickery, cleverness, and cunning. This is why he became the vagabond deity of travelers and wanderers.

He is the instinctive foe of the settled who see him as an outcast roaming on the outskirts of society: a pariah, a thief, and a swindler. As ruler of the sign of Gemini, the Twins, he symbolizes the brother—the alter-ego who teaches us as much as we teach him and is associated with adolescence, a period of intense intellectual discovery.

Mercury thus symbolizes lively, sparkling wit, mobility in any form, mental exchange, and interaction. As a result, a person strongly ruled by Mercury is quite likely to be clever and skillful.

If Mercury is “afflicted” in one’s chart, their intellectual velocity may sometimes become mere mental hyperactivity.

In any case, these skills are a great resource in the social realm. I communicate easily and effectively, orally or in writing. My ability to unite and transmit would be a good resource in diplomatic or commercial endeavors.

Jupiter is the second dominant in Tate McRae’s astral chart. In the following paragraph, we shall indicate the significance of this fact:

In traditional astrology, Jupiter has always been considered as the Great Benefactor, the planet of luck and success such as personal fortune, social prominence, professional prestige, high political position. The Jupiterian bounty is peerless! In psychological terms, this planet has a much vaster significance. As the biggest planet in the solar system, it does preside over the process of personal expansion, interpreted to be fitting into society better and finding an appropriate match between one’s individual ambitions and the aspirations of the group.

This growth is accompanied by a feeling of self-confidence, which, in turn, buoys up an even greater externalization and expansion of the ego – hence the planet’s flattering reputation. But this snowball effect (Jupiter smiles and the world smiles with you), in which social skills magnify confidence and boldness reaps many rewards, betrays the negative side of Jupiter: extreme and excess.

Although grandeur was the characteristic of the “king of the gods,” errors of judgment, poor taste, and sometimes selfishness and pride are also likely to be part of the Jupiterian package. It is important to note that the extension of the ego may be a form of escape; it is tempting to hide behind one’s popularity and social success, which are fairly easy to obtain, rather than be really demanding with oneself. The Jupiterian has a tendency to amplify qualities out of compensation, to avoid seeing weaknesses and flaws. As a result, Tate must be aware of the risk of over-identifying with your social mask, which would cause you to neglect your inner self and deep nature.

Venus is the third dominant in Tate McRae’s astral chart. In the following paragraph, we shall indicate the significance of this fact:

Venus is the planet of love, beauty, and harmony. When it is strong in a person’s chart, they are likely to be creative, loving, and kind. Tate McRae’s Venus is in a very powerful position, so she is likely to be all of these things.

In traditional astrology, Venus (or Aphrodite, her Greek name) is the planet of love. A source of universal attraction, this planet corresponds to the original urge which bonds two human beings together in love. Venus is thus both the magnetism which brings human beings together (not lust, which is symbolized by Mars, but the object which attracts lust) and the gift of love. This ambiguity is interpreted astrologically by the fact that Venus rules two houses of the zodiac. In Taurus, Venus symbolizes the awakening to bodily lust, and in Libra, the bond of marriage. As a result, Venus may take on very different aspects depending on the individual’s degree of awareness.

Likewise, this ambiguity explains Aphrodite’s equivocal conduct in Greek myth and her innumerable couplings and motherhood. Depending on the legend, she may embody brutal, passionate love (with Anteros), the wisdom of the heart which rescues from passion (Harmonia); she also becomes tenderness and purity (with Adonis), pure sexuality (with Eros), a transforming energy (with Vulcan), etc. Mistress of the Arts, she represents beauty, understanding, and peace.

Psychologically, individuals under the influence of Venus are struggling with their love instincts. This is why Tate cannot conceive of living without a personal emotional relationship to someone else and sometimes fears solitude and the encounter with themselves. Tate is extremely attractive to others and is a creator and artistic genius who seems to imbue all they touch with beauty and harmony. Their artistic skills are obvious to the people around them and may be applied to career endeavors.

Pleasure, outings, seduction, love, and a thriving but sometimes superficial social life are the hallmarks of their life.

The eighth house is an area of the sky which is especially important in Tate’s theme, because it contains several planets, including the one which rules Tate’s rising sign. In the following paragraph, we shall explain the general meaning of this fact.

According to tradition, this house is associated with the sign of Scorpio, and thus the themes of death, metamorphosis, and sexuality. It is also related to birth and initiation, and, in more practical terms, inheritances, legacies, and debts. More specifically, the area is related to the idea of partnership resources. It raises such issues as the management of a collective heritage and the administration of assets acquired in association with another person, and the sharing out, psychologically and materially, of these resources in marriage and business partnerships.

As a result, three interdependent but fundamental factors inherent to initiating any mutually beneficial partnership are emphasized: trust, management, and responsibility. Obviously, a partnership devoid of trust is dangerous, if not impossible.

Only when true trust and mutual confidence are established can a cooperative activity yield profit. The next step is managing the profit (or loss) resulting from the cooperative enterprise: sharing it out equally between the partners, or re-investing it in view of making the enterprise more profitable. The responsibility of the manager (and any participant who is a co-manager) is obviously engaged, because it would be unethical for Tate McRae to keep any of the wealth generated by the group’s activities for his own personal benefit. Tate McRae must also be responsible enough not to flee in case of difficulty.

Sexuality, which is an asset or resource of the couple, can be thought of according to the same dynamic. If sexual problems arise, if they are not due to physiological problems, they are always related either to a loss of mutual confidence, to mismanagement of the physical and psychological exchange, or to an insufficient sense of duty on the part of one of the partners.

Due to the significance of this area in Tate McRae’s astral chart, Tate McRae may encounter one of these issues. It will be vital for Tate McRae to become truly conscious of what is at stake in his partnerships. As a result, Tate McRae will have to evaluate the wealth he acquires as a result of his relationships and measure the power conferred upon him by his participation in intimate, social, or professional relationships.

The seventh house is an area of the sky which is especially important in Tate McRae’s theme. In the following paragraph, we shall explain the general meaning of this fact.

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