Andrea García has confidence in herself, but she sometimes falters and tries to compensate with insisting on her authority over others. With people she is emotionally committed to, she has feelings of insecurity that prevent her from expressing her generosity and love fully. Her extreme independence sometimes hides an inability to abandon herself and a lack of assurance.

Andrea García has a paternal complex and, as a result, some trouble finding her identity. Perhaps her father or a father figure was absent physically or emotionally during her childhood, which deprived her of the patterns or models which are usually helpful in structuring a personality. Because she might have lacked a particular sense of security which could be provided by a paternal presence, as well as the examples of behavior to follow in confronting the difficulties inherent in every life, she was forced to protect herself against negative influences and find her own system in order to grow and feel secure. Although this system was quite useful to her as a child, it has now settled in to such a degree that it interferes with her evolution. Psychological defense mechanisms and crutches which were once useful now encumber her mind or inhibit her developmental efforts. As a result, in certain situations, it is difficult for her to assert herself, and she tends to remain an awkward or passive observer. Because her authoritarian urges are mainly directed at herself rather than others, she sometimes feels guilty about her behavior. She judges herself severely, and sometimes punishes herself by setting difficult tasks for herself. Gradually, she should build up a strong inner discipline and acquire the strength to face the problems of existence in a detached and mature way.

Andrea García has a great potential for creative, constructive accomplishments; however, it is sometimes difficult for her to gain access to this part of herself. She is confident in herself and life but may tend to be nonchalant. Sometimes she needs a little stimulation to get herself rolling and take some initiative. Her optimism and inner certainty do not always drive her to give her utmost efforts to achieve a goal. The communications skills she possesses are an advantage as well as a handicap. She makes use of her theatrical gifts, convincing eloquence, and ability to listen. The best careers for her would be teaching, communications, philosophy, the legal profession, theater, and public relations.

Andrea Garcia is a very sensitive person who is easily drawn into the surrounding environment. Due to this sensitivity, it is often difficult for Andrea to communicate her feelings to other people. The tide of emotion which surrounds her is a source of inspiration and intuition, but due to her lack of inner structure and organization, it is difficult for Andrea to grasp the essence of her dreams and share them with other people. Andrea is not at all combative, and this hinders her efforts to fit into society and assert herself productively. Andrea’s tendency to prefer fantasy to reality and her refusal to abandon her unattainable dreams is a psychological trap she has fallen into without realizing it. Andrea must understand that by escaping from her obligations and commitments, she only increases the feelings of guilt and incompetence which made reality so distasteful in the first place. Once Andrea free herself from this pernicious process, she has a great deal of potential for fulfilling herself in the outer world, either by devoting herself to the community or by cultivating her considerable artistic talents.

Andrea García strives for freedom and independence. She expends a lot of energy to ensure that her private life expresses these values. To avoid being tied down, Andrea García tends to be skittish when it comes to any profound involvement in a relationship. As a consequence, she might intellectualize her emotions and feelings and feel as though she can live more easily on friendship than on love. Extremely socially-minded but idealistic, Andrea García almost certainly feels an affinity with the ideals of some social reform movement. Her imagination looks to the future.

Andrea García has a sensitive and affectionate nature. She seeks tenderness and gentleness more than passion. Her relationships with others are smooth and pleasant, and she has a natural sense of tact and social grace.

Andrea García has a sensitive nature. Although she may sometimes have trouble controlling her emotional reactions, they are nevertheless a source of vital energy for a constructive passion and may make an extremely positive contribution to her career. In relations with other people, she is quite friendly; she willingly reaches out to people and knows how to listen to their desires and their problems.

Andrea García’s attractions are usually immediate and intense. They rise quickly to fever pitch. The story of these passions is often dramatic to excess, combining all the plot elements of a classic love tragedy: jealousy, possessiveness, agony as an erotic stimulant, etc.

Andrea García’s birth chart indicates an emotional function which is expressed in a direct and fairly impulsive way. She enjoys reaching out to other people and making discoveries. An eternal teenager with her gaze riveted on the future, Andrea is imbued with an eminently subjective and personal idealism.

Andrea García lives in the moment and sometimes ahead of her time. Her original, warm personality charms people but sometimes baffles them. She is independent, preferring open marriage to the more conventional type, unless the latter allows for great mutual freedom. Her loves and passions always arise under extraordinary circumstances. She is more attracted by exception than by love itself.

Andrea García falls head-over-heels quite easily, although when she comes to her senses, she has few illusions. As a result, conspiratorial plotting may be a feature of her love life. She usually attracts passionate, sensual people. Moreover, there is some chance her conquests will turn out to be demanding or possessive.

Andrea García is hypersensitive and tends to relive the anxieties, apprehensions, and romantic absolutes of her first love relationships, which occurred around the ages of 13-14 years or 20-21 years. She is exquisitely sensitive, but almost completely barricaded behind a layer of aloofness. She will not settle for anything less than eternal commitment, total harmony, and absolute loyalty. She is sometimes presumed to be cold, even by those close to her. She usually hides her emotional reactions or does not even allow them to reach the level of her consciousness, in an effort to protect her sensitivity, which she sees as her weak point. Andrea García is fairly vulnerable, even in the intimacy of a stable and established relationship. Usually, she will disguise her strong feelings as a kind of possessiveness or even jealousy. Certain misfortunes may arouse a negative emotional state inside her, and she feels unworthy of the love which is lavished on her. This psychological prohibition which rules over all of her desires and affects should loosen with the passage of time; likewise, her fear of approaching the other will diminish. As a result, the second part of her romantic life will be more rewarding. In any case, if you want to experience a harmonious love relationship and gratify yourself emotionally, the defense mechanisms you have elaborated to make yourself inaccessible to others will have to be dismantled. Any profound relationship will also require that you learn how to forget yourself occasionally in the other.

Andrea García is an ardent and amorous character, and her relationships are enlivened by intensity and passion. A charmer perpetually engaged in a quest for the ideal love, she is often more in love with the idea of love than with a partner. As a result, her love life may be subject to some instability. She is generally attracted to original people who defy norms, standards, and classifications, and expect them to amaze and fascinate her. Her greatest contradictions surface when an intimate relationship is established. Although she merges her ego entirely into the couple, she is likely to demand a total autonomy and liberty which are inimical to intimacy. If her partner charms and captivates her long enough, there is some possibility that they will form a more solid bond with her; otherwise, she is likely to yield to her need for novelty and fall under the spell of an entirely different person who exerts a new kind of charm for her. Midlife may be a turning point for her from this point of view. Her contradictory attitude may in some ways hide a compulsion to reject and deny the bonds of dependency inherent to a love relationship. Her behavior enables her to remain aloof, to commit herself only halfway without consciously admitting it to herself, and to avoid feeling guilty if and when she loses interest. An insatiable appetite for novelty and exaltation sometimes keeps her from forming stable relationships. Indeed, she is tormented by the struggle between her undeniable need for affection and an equally imperious desire for personal progress and emancipation. As a result of this inner turmoil, her romantic aspirations are usually sabotaged sooner or later by her conviction that her partner has become an obstacle to her individual progress. Because she thinks of love as a restraint, she may even eventually consciously refuse any emotional approach to love interests. As an ascetic, she will try to deflect the love function from its natural target and use the energy and bliss it generates for other purposes, the process psychologists call sublimation. However, she is also likely to meet “the one” who inspires her to initiate a change in her behavior.

Andrea García is attracted to wide open spaces and distant horizons; as a scholar, she feels an affinity for higher studies such as philosophy or law. However, foreign languages or contacts abroad might also interest her.

Andrea García tries to shun subjectivity and be as objective as possible. Her thoughts are usually structured, and her reasoning, based on objective facts or experience, usually relates to practical goals.