Anna McNulty searches for stability in her life, but finds it elusive. She is constantly moving, changing, and experiencing instability.
Anna McNulty’s personality and behavior are liable to be disrupted by a contradiction between the masculine and feminine archetypes ruling her psyche. Because her sensitivity is in conflict with her determination, her attitude and performance may sometimes be moody, fluctuating, and uncertain. Usually, she has the feeling she has to make superhuman efforts to succeed in assuaging her yearnings and fulfilling her ambitions. Her unconscious, sensitive side often disapproves of her conscious endeavors and stealthily works to defeat them, causing crucial omissions, mistakes, and gaps which effectively sabotage her plans. In her relationships, the images she builds up and projects on the other are contradictory. As a result, any bond, even if it is pleasant and positive, might also annoy her. She could find it dissatisfying and irritating at the same time.
Anna McNulty is very sensitive and receptive. She often lives in osmosis with her surroundings, absorbing all the sensations and impressions around her. This tide of emotion is a source of inspiration and intuition, but it can be difficult for her to communicate her feelings to other people. She is not at all combative, which often hinders her efforts to fit into society and assert herself productively. She is likely to prefer fantasy to reality, but her refusal to abandon her unattainable dreams is a psychological trap she has fallen into without realizing it. Once she frees herself from this trap, she has a great deal of potential for fulfilling herself in the outer world, either by devoting herself to some sort of social work or by cultivating her considerable artistic talents.
Anna McNulty is sociable by nature, always in tune with others. She needs to be accepted and respected, and this sensitivity and discerning nature means she can be tactful and diplomatic. She is also fond of harmony and order in artistic terms, and is sensitive and discerning when it comes to things like crude and vulgar language. As a result, Anna is sometimes offended by the harsh demands of life, such as relationships (the couple, or a partnership).
Anna McNulty maintains strong ties with her past, and it often seems difficult for her to open her heart to new people. Her love affairs might exist on the surface level, because her lust and sensual desire rarely turn into a need to understand, protect, and care for the other. Moreover, it is difficult for her to meet partners who combine the ideals of the tender parent and the great lover.
Because you were born with a strong sense of individuality, you quickly developed an original and independent identity. Your first taste of liberty may have led you to challenge the education and values you received from family and class tradition, and you were able to forge a strong, original personality and philosophy. Your relationships are usually free of conflict, because you are able to reconcile your need for independence with your desire for affection. However, your partners should be open and lively people, able to keep pace with you in your rapid evolution. You have an inspired and extremely lively wit and a brisk interest in the future, technological progress, and new lifestyles. You would be especially successful in communications-related careers like journalism, film, TV, radio, and advertising. Although you are an individualist, you have a powerful desire to contribute to the evolution of society and better its development.
Anna McNulty enjoys captivating people with the elegance and ease of her expression. She is a witty and engaging flirt, an avid player of the game of love. As a result, the history of her affections is liable to be episodic, a long series of chapters about conquests or fleeting love affairs. She may carry on some love relationships by writing letters.
Anna McNulty’s birth chart indicates an emotional function which is usually expressed carefully and reasonably. Distrustful of her emotional urges and somewhat wary of her feelings, Anna tries to rid herself of all partiality and try to get some perspective and distance before making an emotional commitment.
The aforesaid Anna McNulty, having considered the aforementioned factors, has concluded that a wealthy partner is more apt to make her happy than one who has financial problems.
Anna McNulty enjoys flirting and having fun with love, preferring to flirt and have fun rather than become passionately engaged. Because she avoids intense passion, she flutters from one good-looking face to the next, enjoying her ability to charm. She believes that the game of love can have few serious consequences if played this way.
Anna McNulty has the fiery, importunate nature of a fervent lover. Indeed, affairs of the heart are one of Anna McNulty’s main purposes in life. Anna McNulty’s personal charm and magnetism give her nearly irresistible powers of seduction, and nearly every one of Anna McNulty’s well-aimed attempts at conquest leads to the fulfillment and satisfaction of Anna McNulty’s desires. Due to Anna McNulty’s impulsiveness and impatience to initiate new encounters, Anna McNulty’s approach to members of the other sex may sometimes lack delicacy.
You are an ardent and amorous person, and your relationships are enlivened by intensity and passion. A charmer perpetually engaged in a quest for the ideal love, you are often more in love with the idea of love than with a partner. As a result, your love life may be subject to some instability. You are generally attracted to original people who defy norms, standards, and classifications, and expect them to amaze and fascinate you. Your greatest contradictions surface when an intimate relationship is established. Although you merge your ego entirely into the couple, you are likely to demand a total autonomy and liberty which are inimical to intimacy. If your partner charms and captivates you long enough, there is some possibility that they will form a more solid bond with you; otherwise, you are likely to yield to your need for novelty and fall under the spell of an entirely different person who exerts a new kind of charm for you.
Midlife may be a turning point for you from this point of view. Your contradictory attitude may in some ways hide a compulsion to reject and deny the bonds of dependency inherent to a love relationship. Your behavior enables you to remain aloof, to commit yourself only halfway without consciously admitting it to yourself, and to avoid feeling guilty if and when you lose interest. An insatiable appetite for novelty and exaltation sometimes keeps you from forming stable relationships. Indeed, you are tormented by the struggle between your undeniable need for affection and an equally imperious desire for personal progress and emancipation. As a result of this inner turmoil, your romantic aspirations are usually sabotaged sooner or later by your conviction that your partner has become an obstacle to your individual progress. Because you think of love as a restraint, you may even eventually consciously refuse any emotional approach to love interests. As an ascetic, you will try to deflect the love function from its natural target and use the energy and bliss it generates for other purposes, the process psychologists call sublimation. However, you are also likely to meet “the one” who inspires you to initiate a change in your behavior.
Anna McNulty is somewhat plodding but realistic and pragmatic. Because she is chiefly preoccupied with the practical aspects of things, she is especially apt to develop more efficient production concepts. Although her good judgment and common sense provide her with an excellent ability to handle the tangible world, her thought processes might be relatively impervious to abstract concepts and spiritual awakenings.
Anna McNulty tries to shun subjectivity and be as objective as possible. Her thoughts are usually structured, and her reasoning, based on objective facts or experience, usually relates to practical goals.
Anna McNulty has a great deal of charm and persuasion when it comes to social interactions. However, in situations where she must compete or deal with hostility, she may be at a loss for how to behave. She has a natural gift for oratory which could be applied to a communications-related occupation or to artistic expression (as a stage or screen actor). Writing and dance, two other arts which associate expression and movement, might also be fields in which she would excel.