Abigail Bergman sometimes lacks energy. She is fairly apathetic and passive, preferring sluggishness to movement and leniency to initiative.

Abigail Bergman has a great deal of sang-froid. Her inner calm and stolidity predispose her to tasks which require self-control and perseverance. She does not readily display her emotions, even in the most hair-raising situations.

Abigail Bergman can express her feelings and moods without being overwhelmed by them. She is able to be receptive to the other world while still enjoying solitude and introspection.

Abigail Bergman has a phlegmatic personality, and her responses to various outer stimuli are sometimes postponed or delayed. She is fairly slow to initiate an activity, if not laboriously so, but once she begins, she is steady and determined.

Abigail Bergman has the ability to concentrate and focus her attention on a single object intensely and exclusively. She may become a specialist in her field.

Abigail Bergman’s objectivity in perception and behavior could, in the best of cases, lead to generosity and altruism.

Abigail Bergman’s individualism promotes independent and original behavior. She tends to lack team spirit. On the contrary, she needs to feel free and untrammeled by others to be really effective.

Although Abigail Bergman can adapt to a situation which requires that she be humble and submit to the authority of a more competent person or leader, she can also give orders and manage others.

Abigail Bergman sometimes doubts in herself and her skills; she might be fairly shy and self-effacing. Feelings of inferiority may interfere with her ability to take action, or, on the contrary, may propel her into action if she sees a possibility of reward or compensation.

Because Abigail Bergman’s optimism is mild and reasonable, she rarely broods about things and is not troubled by irrational fears or anxieties.

Abigail Bergman is principally interested in tangible facts and realistic details. A pragmatic personality, she never loses sight of the utilitarian or practical aspects of things.

Abigail Bergman approaches life with a spontaneity and unpredictability that often defy conventional wisdom. She trusts in her instincts and her ability to improvise, or her reflexes and innate good timing.

Abigail Bergman’s thought processes rarely follow the laws of logical reasoning or linear thought; instead, they proceed from an overall vision, which is pieced together from more or less obscure and subconscious clues.

Abigail Bergman’s mind is especially perceptive of details. To arrive at a global perception, a vision of the whole, she proceeds gradually, piece by piece, aspect after aspect, in a fairly linear fashion.

Abigail Bergman is inclined to be scattered. She is not especially eager to sort things out or arrange them. She likes to be surrounded by her chaos and usually manages to pluck out what she needs.

Abigail Bergman behaves impulsively and is inspired by her imagination. Her openness and spontaneity give her the scope to be skillful, ingenious, or shrewd, rising to whatever the immediate circumstances require.